![]() ![]() This wouldn't be so bad, uncanny valley aside, had each encounter not been unskippable and full of stilted pauses during each monologue, characteristic to the series. In Myst V you'd run out of fingers and toes almost within the first hour of play. ![]() In every previous Myst game, you typically could count the number of encounters you had with other characters on one hand, maybe two. The combination created a strange effect similar to the uncanny valley that left me feeling uncomfortable every time one of the two main characters appeared, which they did with astonishing frequency. The textures on their faces where a bit muddy, their eyes often looking in strange directions, but their body animations were very well done. This wasn't universal, a few areas actually looked very nice, but such places were the exception rather than the rule. Many textures, even on the highest settings, looked bland. The world looked somehow less impressive. Sadly, the graphics of this game didn't fair as well as in Uru. I had enjoyed Uru though, and was ready to give this game a chance as well. I thought it was an odd choice to so radically alter the fundamental aesthetic of a series in its final installment. I admit that I found this approach initially off setting. Even the characters are 3D models rather than live actors, as the previous games had used. One of the most striking and readily apparent differences that sets Myst V apart from the other games in the series is its use of full, real time 3D graphics. And yet, it fails to even live up to its predecessors. It is a game that is meant to give closure to one of the most prestigious franchises in gaming. Myst V is the closing chapter in a series that has defined the adventure genre since the first game was released in '93. What does ANY of that have to do with Myst V? For me, everything. The first time I found myself sitting in front of my computer screen holding a page covered in notes, front and back, as I watched the Myst credits role past I knew I was hooked on the genre for life. That may not sound appealing to most, but it's only in true challenge that you can ever find the reward of satisfaction. Even with my greater maturity I still found them to be trying of my patience and changeling for my intellect. Years later when I returned to my computer gaming roots after a prolonged love affair with consoles the first thing I thought of were those old adventure games I had never managed to crack. ![]() I remember vividly the long weekends spent at my father's house sitting in front of his Mac trying in vain to puzzle my way through classics like Day of The Tentacle, Indiana Jones and the Fate of Atlantis, Sam and Max Hit the Road, and, of course, Myst. Like many people my age, my earliest memories of computer gaming are marked by some of the greatest adventure games to have ever been written. ![]()
0 Comments
![]() ![]() in /web/rek.me/rek/webroot/wp-content/plugins/wp-codebox/main. #8 /web/rek.me/rek/webroot/wp-includes/template. ![]() ![]() #7 /web/rek.me/rek/webroot/wp-content/themes/olsen-light/content-entry.php(59): the_content('') Code Embed provides a very easy and efficient way to embed code (JavaScript and HTML) in your posts and pages. The Code Snippet Repository provides you with a library of tested and ready-to-use Code. WPCodeBox allows you to save all your Code Snippets to the Cloud and share them across your WordPress sites. Custom Post Type UI I previously talked about how easy it is to use an online generator to create your own custom plugin, but I still use Custom Post Type UI as it is there when quick changes are needed. WP visitors tracker 2.203 Wordpress Plugin. #6 /web/rek.me/rek/webroot/wp-includes/post-template.php(253): apply_filters('the_content', ' ![]() It is possible that any third-party plugin that you have downloaded, is corrupt or not secure. Issue 4: Video Editing Software Crashed while Editing Apply effects to the smaller segments of the video and keep them as a separate clip. Too much special effects in the videos put the burden on the PC processor and graphics card.This would reduce the system’s processing requirement. Divide and put your footage into small folders or bins in your editing tool. Editing a large video can be cumbersome.Disconnect the internet to avoid any automatic background update.Close all other applications on your system when editing the videos.Update your system, device drivers, and software before starting video editing on your system.Ensure that the best possible system requirement is met, including RAM, CPU and GPU. Make your PC powerful enough to handle your video editing workload. However, if your Videos are broken, damaged or corrupt then go for a professional video repair software.įix: To deal with the computer crash or slow PC issue while editing videos follow the below tips. This is to ensure that if your video files get corrupted or lost, then at least you have the original files as a backup. Note: Always keep the original video file in a separate folder and use its copy to do all the editing. In the process there are chances to lose any of your important video file too or even the videos can get corrupt. The system may freeze, shut down, or behave erratically. The issue mostly occurs when you are working on heavy video files. When your computer system specifications does not meet the demand of large videos and the installed editing software, a computer crash is bound to happen. Video editing is a hardware-demanding process. Issue 3: Computer Crashes or Gets Too Slow During Editing If you are not in a position to return/exchange your camera, then try to cover up using software plugins available online. While buying any camera, always check pixels issue by shooting in the very dim light. Stuck pixels can be usually fixed while dead pixels are difficult to remove.įix: If you have bought a new camera and notice the pixels defect, it is advisable to return the camera back to the manufacturer for repair. This pixel issue is a manufacturing flaw. While the dead pixels are black spots which appear when RGB sub-pixels are permanently turned off. They appear when the transistor is not receiving enough power at that point, allowing light to pass through the RGB (Red Green and Blue) layer. Stuck pixels are coloured spots (red, green and blue) appearing on the video screen. The dead and stuck pixels are basically unwanted spots on the videos. For example, if the video is shot in MPEG-2 or HD, create a master format in MPEG-2 or HD only using the same format settings in your editing software. Do not change the video format while rendering or editing. ![]() ![]() This may take some time, but worth doing.Īlso, to maintain the video quality, work on the high-quality source video throughout the editing process. Even a little change, say frame rate or resolution on changing the color encoding system, like NTSC format to PAL can impact the video quality.įix: To overcome the poor video quality issue during editing, check the settings of the original video beforehand to ensure you do the editing under the same settings without disturbing the original format in terms of pixels, frame rate, HDV, video codec etc. There are chances that you have unknowingly converted your video settings. The images can get pixelated, lose sharpness, get blurry, choppy, flicker or do not play smoothly. ![]() Video editors often complain about poor video quality issue after using a video editing tool. It may happen that the original video is of good quality, but after editing the video quality deteriorates. Issue 1: Video Quality Diminishes after Editing Read on to know the common video editing issues and their possible solutions to avoid fretting over uncalled editing situations. It is not free from its share of several technical setbacks that commonly occur while editing videos using the various video editing software. Video editing is a complex process that requires a lot of practice and technological know-how along with creative skills.
![]() ![]() ![]() It also boasts probably the highest utility of any Hades weapon, with a punishing attack, a ranged throw for smaller enemies, and a charge attack for quickly closing or increasing the gap between you and the enemy. Mastery of this powerful bow relies on good timing, because you'll need to get used to its power-shot with and without dash-striking (more on this shortly), but once you've got that down, this weapon allows you to deal massive and consistent damage from a safe distance, which will help an awful lot in the later realms (particularly Styx) when you're almost guaranteed to take damage getting into melee range with certain enemies.Ī close second is Aegis the Shield, whose block can be a literal life-saver when you've no other way to avoid taking damage. Personally, I consider Coronacht to be the best weapon in Hades. But having said that, there are a couple of weapons which I find give you a better chance of creating a game-winning build, and an easier ride through the Underworld in general. Which is a strange idea, because the weapon is nothing without the Boons, Aspects, and Daedalus Upgrades that go with it. Now let's talk about my thoughts on the best weapons in Hades. For more information on all the best Boons to use in conjunction with these Infernal Arms, check out our Hades boons guide. With the right upgrades and Boons, you can grow to become ludicrously powerful with any of the six Infernal Arms available to you. Each weapon requires a certain number of Keys to unlock:ĭo note that the more expensive weapons aren't necessarily stronger than the cheaper weapons. To unlock the other weapons in Hades, you have to spend the Chthonic Keys you find throughout your runs. There are six weapons in total, but you only start with one - Stygius, the sword. Weapons in Hades, known as Infernal Arms, are kept in the Courtyard - the final room of the House of Hades before you begin your next run. ![]() Watch on YouTube How to unlock weapons in Hades ![]() ![]() ![]() The final thing you should be aware of is that these algorithms only work if you have access to the sample values. I have also demonstrated in Skype Voice Recorder, how you can implement a compressor in. NET, NAudio will let you view the samples in an input WAV file, allowing you to create your own normalization effect. See this article on dynamic range compression for more info.Īs for implementing this in. Then you are able to amplify the whole signal without distorting it (this is called make-up gain). This has the effect of evening out the volume of the whole recording (the quiet bits stay the same, and the loud bits get quieter). The basic idea is that any sound over a certain volume (called the 'threshold') gets made quieter (or in the case of the limiter, no sound is allowed through over a certain volume). If you have a single spike somewhere in your input file that hits max volume, then normalization does nothing for you.Ĭompression / Limiting this takes a slightly different approach and is used extensively in music recording. This technique is only useful if the loudest part is 50% volume or less. Normalization this simply involves searching for the loudest part of the audio, then amplifying the whole file so that the loudest part goes to maximum volume. There are two main ways to approach this problem: ![]() Once these filters are run, there will be more room for amplifying the sound without introducing distortion. The click filter is a lowpass, and the de-esser is a highpass. This can be optimized by doing a click filter first, to eliminate spurious transients, and also by de-essing, which makes sure the waveform is evenly centered around the median value by removing low frequency components that cannot be produced by speakers or heard by the human ear. So you loop through the array holding the audio file, and replace the previous value for each sample with the value * 1.8. , and if you want your max volume to be 0.9887997070223*the max availible, that gives you a new scale factor of 1.8. Then you iterate through your file and multiply every sample by that number.įor example with CD quality audio your highest possible absolute value for a sample is 32767 (fudging this to make the example easier, the real range is -32768 to 32767, but treating 32767 as your max makes things much simpler here), so if you scanned through and the highest absolute value you found was 18000, than your amplification factor will be 1.8203888. If the result is not one, it becomes your scale value. You divide your maximum possible value by this number (which is guaranteed to be equal or smaller), and then you multiply that by your desired peak level (ie. The general idea with the algorithm is to find the highest absolute value sample (audio should be centered, whatever the measurement of the sampled data). A command line program that does this is sox. ![]() ![]() ![]() Please share your experiences and examples of how you have used this software by leaving a comment below, to help others choose the right software for their research requirements. If you write your own calculations in a mathematical calculation tool, you risk miscoding the statistical technique and drawing poor or completely wrong inferences. But we would generally advise using packages that were designed primarily for statistical analysis since their functionality will generally have been tested and verified for statistical purposes. These packages are not basically designed for statistical analysis, but all have some statistical functionality and some, being mathematical tools, pretty much allow you to write any statistical analysis from scratch. General Purpose Packages which have some Statistical Functionality: They are the marketĪ free (limited functionality) version of StatPlus is available (for both Windows and Mac environments) from Ī full version is also available to be purchased from associated web-sites. Microsoft Office and Excel have a long and well known history. It should also be remembered that Excel is an excellent tool for managing the data before inputting into other statistical packages. The various chart formats and graphical toolsĪre very useful too. Installer Size: 93.19 MB Download Links : StatPlus Pro v6.2.5. For your reference we provide complete archives and history of all your support requests. Every support request is assigned a unique ticket number which you can use to track the progress and responses online. Bug fix warranty and free major upgrades during your maintenanceperiod. In order to streamline support requests and better serve you, we utilize a support ticket system. Over the years there have been several warnings that some of the inbuilt functions and analyses have flaws, but these have died down and the latest versions of excel do provide an easy means of conducting simple statistical analyses. Here are some key features of StatPlus: Fast and powerful standalone spreadsheet. There are add-in analytic tools packs, both published by Microsoft and supplied with the Excel /MS Office Installation and also supplied by third parties (including the StatPlus package that is the best method of accessing such statistical routines for Excel running on a Mac). In Apps for Office, double-click any app to start using it.Excel provides a number of basic statistical functions and analyses. To start using your app, double-click it in the apps list. Start using your app for Office in Excel 2013 Then, click Add or Buy for the app you want. In Apps for Office, browse for the app you want, or search for an app by using the Search box.Ĭlick an app to read more about it, including a longer description and customer reviews, if available. These dialogs and messages are changing to Office Add-ins. The dialogs and other messages you see in Excel 2013 currently show apps for Office for the add-ins based on the web technologies provided by the new Office Add-ins model. While these changes are taking place, the dialogs and messages you see in your application might be different than what you see in this article. We made this change to better distinguish the extension platform from Office apps (applications). We are currently updating our products, documentation, samples, and other resources to reflect the platform name change from "apps for Office and SharePoint" to "Office and SharePoint Add-ins". Important: New name for apps for Office - Office Add-ins. To start using your add-in with Excel 2016, double-click it in the add-ins list. Start using your Office add-in with Excel 2016 Review the privacy information, and then click Continue (for free add-ins), or confirm billing information and complete your purchase. If you’re prompted to sign in, type the email address and password you use to sign in to Office programs. Then, click Add or Buy for the add-in you want. In the Office Add-ins box, browse for the add-in you want, or search for an add-in by using the Search box.Ĭlick an add-in to read more about it, including a longer description and customer reviews, if available. When we download the zip file from the internet, its contents are blocked in our system for security reasons. ![]() This problem occurs due to security level of the system. You can use the web Office Add-ins in Excel 2016. 1 Answer Sorted by: 0 I have found solution for this problem. ![]() ![]() I tend to use a matt or satin varnish because I like a more authentic looking patina. ![]() The varnish can be water or solvent based. This will both protect the paint and patina and prevent the patina developing further. You’ll probably need at least 2 coats, depending on the thickness of your paint.Ĥ – Once your paint is fully dry, it’s time for the really fun stuff – corroding the metal powder to create the patina – scroll down for more about this.ĥ – Once you have achieved a patina you like, rinse off your piece with water to prevetn further patination and leave it to dry completely.Ħ – Seal the patina in using a clear varnish. Let it fully dry off.ģ – Paint your pic with your DIY Patina Paint. Isopropyl Alcohol or turpentine will usually do the trick, or sugar soap (TCP) on more delicate surfaces. Step 2 – Clean you project thoroughly using an appropriate cleaner for your surface. With this technique, it’s not so bad if the surface is a bit rough, because the paint will cover it, and the patina process always adds a lot of texture anyway. It’s just to give the medium something to grab onto. Step 1 – Lightly scuff up the surface using sandpaper or a sanding pad. This was so that if I missed any spots when painting it, or if some of the patina gets knocked off somehow, I won’t be left with a glaring white patch. I used fleur-de-lys mouldings in the brown colour (which is a pigment added when I mix the resin) to demonstrate these processes. Make sure you dry the last coat properly, and stir the paint very well between coats as the metal powder may have sunk to the bottom.Ī with any paint project, you’ll need to prepare your surface well. It’s also not a huge problem if your paint is a bit runny – you’ll just have to add more coats until the project is well covered. Cracks will just add texture to the final patina. The first coat probably won’t cover well, so you’ll need a second coat anyway. It’s not the end of the world if it cracks. Mine was about the consistency of double cream. The consistency of the paint should be fairly fairly thick, but not tick enough that it cracks on the project when it has dried. And voila! You have just made your own DIY Patina Paint! Pretty easy, huh? Step 3 – Mix the powder and medium together well. ![]() PVA is quite thick and sticky, so you will probably need to water it down a little. The ratio needed will depend on the binder you use. Step 2 – Measure your binding medium into a cup. If in doubt, mix a small amount to begin with – you can easily mix more. The amount you will need will depend on the size of your project. Step 1 – Measure out the powder into a cup.
![]() Even in Exy, he’s described as way below everyone else’s level, since he hasn’t played in years. I mean, living on the run doesn’t actually give you time to hone skills. And the “particular skill set” part is kept to a minimum, which is nice. He was on the run his whole life, which comes with certain skills, yes, but also its slew of trauma (which is really well portrayed, especially when it comes to triggers). Neil is the protagonist here, and he's…overall the best thing about the book, which is good news. That’s kind of weird to me-and it makes it difficult to explain my feelings on the book. And yet, I found myself invested in it, even though I can’t really say I’m super invested in any of the main cast. Thing is, the plot…well, it should be carried by its characters. Though I will have to go back to some of it, but…all things in good time. More drama ensues with the past Neil’s running away from, but I’m not going delve into that in too much detail, because spoilers. One way or the other, Neil is more or less coerced into joining the team. Turns out, their new star player Kevin Day just happens to be one of the few people who knew Neil as a kid, but he endorses Neil’s application for seemingly unrelated reasons. ![]() ![]() A “halfway house team”, as it’s described. Things change when the coach in the town he’s staying at for now makes a college application for him at Palmetto State, whose Exy team (the Foxes) is notoriously bad, but also renowned for taking it…troubled kids. All he has left in his life is Exy, a (fictional) team sport similar to lacrosse in which he was trained as a kid. For most of that, he was with his mom, but she’s dead now, so he’s on his own. The Foxhole Court is the story of Neil Josten-not his real name-a teenager who’s been on the run for a good chunk of his life. That said, it’s ultimately pretty irrelevant to how I feel about the book. I mean, I’m sure it’ll be in the sequels, but still, that’s false advertisement right there. ![]() And before I say anything else: yes, I am sorely disappointed by the lack of gay. All right, I read the thing someone on this blog told me to read. ![]() ![]() ![]() State-of-the-art sampler and sound creation system tailored to the demands of professionals.These high-end effects can be applied to instruments to add a new dynamic and tone to your sound, ideal for studio use. The effects have been upgraded with HALion 6, with 9 new effects included such as the 3-band Resonator, Vintage Compressor, Tube Saturator and many more. The HALion 6 VST Workstation also includes a wide range of built-in studio-grade effects. This improved workflow and unique interface design makes creating and finding sounds easier than ever before. The stage-optimised workflow with dedicated play view places all the controls in an ergonomic layout, allowing you to easily build keyboard splits or layered as well as switch between entire multi-setups with a single command. The MediaBay sound management system streamlines the way you access your sound libraries. The VST workstation also features a range of unique morphing filters, allowing you to seamlessly blend between (and up to) 4 out of the 24 filter types for in-depth control. Developed for both studio and live use alike, the HALion 6’s interface features deep editing controls for changing and sculpting your own sounds from pre-existing presets. ![]() The intuitive yet streamlined interface of the HALion 6 VST workstation, makes navigating through sounds and editing parameters easier than ever before. The huge library includes over 3,3000 synthesized sounds ranging from authentic acoustic instruments to huge, modern day synth sounds. At the heart of HALion 6 is the powerful multi-timbral audio engine with a range of wavetable synthesis options. ![]() The state-of-the-art sampler and sound creation system is tailored to meet the demand of audio professionals with the advanced library creation tools that give you comprehensive reign over all major parameters. The Eagle Grand on the other hand delivers a rich, transparent sound that is not only suited for classical but will also add sonic brilliance to modern pop and rock productions. The Raven Grand stands out with its varied range of nuances and harmonic richness, providing a precise yet smooth playability that is reminiscent of concert pianos. These two grand piano virtual instruments provide two differing but rich sampled sounds, with each Grand instrument being suited for different genres. ![]() There are also two grand piano instruments – The Raven Grand and The Eagle Grand. At the heart of Skylab is the unique analog circuitry emulation that delivers the warmth and crunch normally associated with vintage synthesizers. Skylab is ideal for the analog lover, combining granular synthesis with a vast sample library. Another new addition to the library is the Anima synthesizer with features two wavetable oscillators and a flexible modulation section complete with over 300 innovative synthesizer sounds ideal for modern dance music. Studio Strings provides you with a comprehensive and deeply sampled string library, ideal for film scores, live performances and digital music production. There are a range of new instruments included with HALion6 including Studio Strings, one of the richest and most detailed string ensemble sample libraries available on the market. One of the most exciting new features is the live-sampling capabilities that allows you to record sounds directly into HALion from any internal or external source than map it into the new live-sampling editor to play your samples. Additionally, the new Combi Library utilises HALions’s unique layer architecture, designed to combine everything from acoustic instruments to synth patches to create brand new and beautifully rich sounds. The HALion Script allows you to use scripts to control advanced instrument behaviour and custom script modules. The Library Creator tool allows you to create and export ST sound libraries of your custom instruments. Six new instrument libraries are also includes ranging from beautiful acoustic pianos to powerful cinematic sounds. The template-based tool allows you to design your own complete user interface, allowing you to cater to your own sound creation requirements. The Macro Page Designer allows you to create custom user interfaces with the easy-to-use designer tool. One of the most prominent new additions to the HALion 6 is the Macro Page Designer. Comprehensive virtual sampling and sound design system ![]() |